PQ: Consent of instructor, outside students will be accepted, with the class size limited to 15 students, as long as the majority of students are ComLit Grad students and PhD students in English Language and Literature. Fulfills the core course requirement for CompLit students. This course introduces graduate students to some of the fundamental conceptual issues raised by novels: how are novels formally unified (if they are)? What are the ideological presuppositions inherent in a novelistic view? What ethical practices do novels encourage? Readings include Sterne, Tristram Shandy; Austen, Emma; Joyce, Portrait of the Artist as a Yong Man; critics covered include Lukacs, Bakhtin, Watt, Jameson, and others.
Phaedra and Hippolytus: Euripides, Seneca, Racine
=FREN 35960, SCTH 35960.
PQ: Knowledge of ancient Greek, Latin, or French, or permission of the instructor. French students work must be in French, including the final paper, for French credit. A close comparative reading of Euripides' Hippolytus, Seneca's Phaedra, and Racine's Phedre. There will be one seminar meeting each week for the whole class and one additional session to discuss the texts in the original language with those students who can read it. This course is a two-quarter course and will meet for the first five weeks of the winter term and the last five weeks of the spring term. There will be one grade report at the end of spring quarter. Students are mandated to register for both quarters.
The Literature of the Fantastic
=ENGL 28903/48904, ISHU 29301, RUSS 26702/36702
PQ: Open to graduates and undergraduates. This course will include texts by Russian and English authors, including Pushkin, Gogol, Bulgakov, Nabokov, Poe, H.G. Wells, and Oscar Wilde. Theoretical positions will be examined based on texts by Tzevtan Todorov, Jackson, Traill, Lachmann. All text will be in English.
Intertextuality and Memory Aspect
PQ: Open to graduate students only. This course will include works by Andrei Bely, Osip Mandelstam, Anna Akhmatova, and Nabokov. Theoretical sources on intertextuality will include Mikhail Bakhtin, Julia Kristeva, Riffaterre, and Lotman.