Françoise Meltzer

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Edward Carson Waller Distinguished Service Professor, The College, Divinity School, and Comparative Literature
Harper Memorial 588 & Franke Center for the Humanities (AY18/19) 1100 E 57th Office S101
Office Hours: Thursdays 2:00-3:00
773-702-8177

Dark Lens out now and available!

Research interests
Critical theory, nineteenth century French and German, psychoanalytic theory

Françoise Meltzer's specialties are nineteenth-century French and German literatures and critical theory. She has written Seeing Double: Baudelaire's Modernity (Chicago, 2011) and the same year she edited Saints: Faith Without Borders with Jas' Elsner (Chicago, 2011), and also recently wrote the introduction to a collection of Derrida's essays written for Critical Inquiry,  Signature Derrida (Chicago, 2013). Meltzer has just completed a book on ruins and the bombing of civilians in Germany, 1945, which is forthcoming from University of Chicago Press in 2019.

Intellectual Profile

Françoise Meltzer marshals postmodern critical theories in order to explore representations of the subject. Her first book, Salome and the Dance of Writing, deals with mimesis as evidenced in literary texts that describe painted portraits. In Hot Property: The Stakes and Claims of Literary Originality, she examines the ideas of originality and authorship in a series of case studies from Descartes to Walter Benjamin. Her book on Joan of Arc (For Fear of the Fire: Joan of Arc and the Limits of Subjectivity), undertakes a study of that figure in relation to gendered subjectivity as it is treated in philosophical and literary theoretical discourses. At the Divinity School, she delivered the 1996 John Nuveen Lecture, “The Hands of Simone Weil.” She edited (with David Tracy) a “Symposium on ‘God’” for the journal Critical Inquiry, and, with Jas' Elsner, a book entitled Saints: Faith Without Borders, published by the University of Chicago Press in 2011. Her book Seeing Double: Baudelaire’s Modernity,  published with Chicago in 2011, argues (among other things) that Baudelaire's modernity is largely informed by his obsession with Original Sin. She has written the Introduction to a book collecting the essays of Jacques Derrida published in Critical Inquiry over the years (University of Chicago Press, 2013).

Prof. Meltzer was elected to the American Academy of Arts and Sciences in 2016.

Her latest book (August 2019) Dark Lens: Imaging Germany 1945 concerns the bombing of German civilians during the Second World War. It raises the question of human suffering, and is based on a series of unpublished photographs of the 1945 ruins of German cities. 
 

Selected Publications

  • Salome and the Dance of Writing: Portraits of Mimesis in Literature. Chicago: University of Chicago Press, 1987.
  • Ed. The Trial(s) of Psychoanalysis. Chicago: University of Chicago Press, 1988.
  • Hot Property: The Stakes and Claims of Literary Originality. Chicago: University of Chicago Press, 1994.
  • For Fear of the Fire: Joan of Arc and the Limits of Subjectivity. Chicago: University of Chicago Press, 2001.
  • Seeing Double: Baudelaire's Modernity. Chicago: University of Chicago Press, 2011.
  • Ed. Saints: Faith Without Borders (A Critical Inquiry Book). Chicago: University of Chicago Press, 2011.
  • Dark Lens: Imaging Germany, 1945. University of Chicago Press, 2019.
     

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Teaching

Ruins (Spring 2017)
Seminar: Contemporary Critical Theory (Winter 2018)
Psychoanalytic Theory: Freud & Lacan (Winter 2018)
Mallarme Co-Taught with Jean-Luc Marion (Spring 2016)

On Leave 2019-2020