Graduate

This interdisciplinary course focuses on the literary dimension of the gospels and on their artistic reception in modern culture. Starting from a presentation of narrative theory, it asks whether religious and secular narratives differ in structure, and illuminates narrative conventions of different media and genres. Both thematic aspects (what aspects of the gospels are selected for development in modern adaptations?) and features of presentation (how do different media and styles transform similar content?) will be considered. Principal works include Johann Sebastian Bach, The Passion According to St. Matthew (1720); Ernest Renan, The Life of Jesus (1865); Nikos Kazantzákis, The Last Temptation of Christ (1955); Pasolini, The Gospel According to Matthew (1964); José Saramago, The Gospel According to Jesus Christ (1991); Norman Mailer, The Gospel According to the Son (1997); and Monty Python, Life of Brian (1979). Secondary readings include Mieke Bal, Narratology, and Bultmann, History of the Synoptic Tradition.

This class will explore three sets of paired authors from ancient China and Greece: Herodotus/Sima Qian; Plato/Confucius; Homer/Book of Songs.  Topics will include genre, authorship, style, cultural identity, and translation, as well as the historical practice of Greece/China comparative work.

This course will be taught by Boris Maslov (Comp. Lit.) and Richard Neer (Art History) with the continuous participation of Leslie Kurke (Classics and Comp. Lit., University of California at Berkeley).  It will explore new ways of reading Greek poetry, and new disciplinary formations at the intersection of archaeology, art history, classics and comparative literature.  Coursework will consist of close readings of Pindar with an eye to material and institutional contexts of poetic production.  Topics will include the “thingly” or material nature of the poem; architectural metaphors; the emergent discourse of poetic professionalism; relation between epinician and traditional cult poetry; sites of poetic performance; Pindar’s allusions to monuments at Delphi, Olympia and elsewhere; the historical phenomenology of architecture and statuary; and the construction of sacred landscapes.Students wishing to develop a closer familiarity with Pindar and Pindaric scholarship will meet, as part of an informal reading group, run by Boris Maslov, in the Winter quarter (starting in Week 4); those wishing to take part should send an email tomaslov@uchicago.edu. Prerequisites: Classical Greek required; graduate standing (seniors may be admitted; should email Prof. Maslov or Prof. Neer in advance).

The Bible, a complex anthology of literature from a variety of religious, political, and historical perspectives from ancient Israel, has been primary textual authority in Western culture, politics, and religion. This class will explore how the authority of the Bible has been understood and used by people in Western societies in their political, historical, religious, and aesthetic contexts. We will accomplish this by a close reading of both the biblical texts and their reception in the texts, music, and visual arts of Western civilization, with a special emphasis on the use of these receptions in particular societies. The material covered in this course is necessarily selective; the course will give a basic literacy in the Bible and its use, and, more importantly, it will also teach the student to recognize and analyze biblical allusions in their future research.

The course looks at the realities of the Arab Israel conflict as portrayed by Palestinian and Israeli writers. We will explore works of poets, novelists, short stories writers, filmmakers and artists, and the meanings they ascribe to such concepts as “homeland,” “exile,” “nation,” “struggle,” and “liberation.” We will study the analysis novelists offer to moments of politicized violence in the region, and the reception on these analysis in the Palestinian and Israeli publics. Finally, we will study the fields of power related to production of these works: who has the power to write/film, and thus represent, the realities of the Arab-Israeli conflict? Which voices are silenced in these processes? How can historians reconstruct radical voices in their analysis of the events by reading works of literature? Reading materials include works by Emile Habibi, Ghassan Kanafani, Mahmud Darwish, Amos Oz, Dahlia Ravikovitch and S. Yizhar.  The class is open to graduate and undergraduate students. No prior knowledge of Hebrew or Arabic is required.

Close reading of Tolstoy’s novel, along with additional fiction and background material

This course investigates the complex relationship between South East European self-representations and the imagined Western "gaze" for whose benefit the nations stage their quest for identity and their aspirations for recognition. We also think about differing models of masculinity, the figure of the gypsy as a metaphor for the national self in relation to the West, and the myths Balkans tell about themselves. We conclude by considering the role that the imperative to belong to Western Europe played in the Yugoslav wars of succession. Some possible texts/films are Ivo Andric, Bosnian Chronicle; Aleko Konstantinov, Baj Ganyo; Emir Kusturica, Underground; and Milcho Manchevski, Before the Rain.

“Life is more important than the forms in which it is lived,” wrote Ivo Andric, the 1961 Nobel Prize winner from Yugoslavia, in a novel about cultural continuity and change. Emigration involves, among other things, the mastery of another language, the back and forth between familiar and unfamiliar cultures, the creation of new dimensions of one’s identity. In this course, we will examine the painful processes of forging of hybrid cultural selves through literary works through which Russian and South East European writers seek to forge new meanings and selves from the nostalgia, the anger, the feeling of homelessness, and the exhilarating sense of weightlessness.

This course will examine the extent to which Martin Heidegger’s redescription of Greek poetry and philosophy as an ontological project provided a normative horizon for avant-garde poetic practice in postwar France. We will begin with Heidegger’s encounter with René Char in Provence, and their rereading of the pre-Socratic philosophers in a series of seminars between 1966 and 1973. We will look at Heidegger’s response to Char’s poetic prose in connection with Heidegger’s call for thinking instead of philosophy, and at the philosophical commitments of poets who took Char as model, or who develop alternative accounts of the link between poetry and Being. Authors will include Ponge, Celan, Guillevic, Du Bouchet, Royet-Journoud, Albiach, Sobin, Susan Howe, and Daive. Texts may be read in the original or in English translation.